Tuesday, March 15, 2016

Mella Jaarsma pamerkan karyanya di Embassy of Spirits di Bienale Sydney ke-20

20th Biennale of Sydney unveils works by 83 artists from 35 countries

Mella Jaarsma pamerkan karyanya di Embassy of Spirits di Bienale Sydney

Artists exhibiting at the Art Gallery of New South Wales' Embassy of Spirits explore the intersection between the spiritual and the philosophical, including works concerned with personal and religious rituals. Works presented at the Embassy of Spirits by Johanna
Calle, Sheila Hicks, Mella Jaarsma, Jumana Manna, Sudarshan Shetty, Taro Shinoda and Nyapanyapa Yunupingu can also be considered in conversation with the Gallery's rich collection of Asian and Indigenous Australian artworks.

> 20th Biennale of Sydney unveils works by 83
> artists from 35 countries presented across seven
> 'Embassies of Thought'
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> Sydney, Australia: The 20th Biennale of Sydney: The future is already here — it's just not evenly distributed was unveiled today by Artistic Director Stephanie Rosenthal. 
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> The Asia Pacific region's largest contemporary visual arts event features 83 artists hailing from 35 countries and is presented free to the public across seven venues or 'Embassies of Thought' and multiple 'in-between spaces' around the inner city, from Friday 18 March until 5 June 2016. The exhibition is supplemented by a comprehensive schedule of public programs including daily guided tours, artist and curator-led talks, lectures, workshops, salons, reading groups and gatherings. 
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> Artistic Director Stephanie Rosenthal commented: "The 'Embassies of Thought' in the 20th Biennale have been conceived as temporary settings without set borders, representing transient homes for constellations of thought. The themes associated with each of these
> 'embassies' are inspired by the individual histories of each venue, whilst the 'in between' spaces speak to one of the key ideas in this Biennale exploring the distinction between the virtual and the physical worlds. We're asking visitors to consider our interaction with the
> digital world, as well our displacement from and occupation of spaces and land, along with the interconnections between politics and financial power structures."
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> The Biennale's seven 'Embassies of Thought' are: Cockatoo Island (Embassy of the Real); Art Gallery of New South Wales (Embassy of Spirits); Carriageworks (Embassy of Disappearance); Artspace (Embassy of Non-Participation); Museum of Contemporary Art
> Australia (Embassy of Translation); a roving bookshop (Embassy of Stanislaw Lem) and first time venue Mortuary Station (Embassy of Transition). 
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> Performance is an integral part of the 20th Biennale, presented at each embassy and at in-between locations by artists including: boychild, Boris Charmatz, Neha Choksi, Mette Edvardsen, Mella Jaarsma, Lee Mingwei, Adam Linder, and Justene Williams, who is collaborating with Sydney Chamber Opera.
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> More than half of the 200 artworks in the exhibition have been specially commissioned for the 20th Biennale of Sydney. More than a third of artworks are presented at venues in Sydney's inner west.
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> In addition to artworks presented across the seven embassies, the 20th Biennale commissioned twelve site-specific projects taking place at locations throughout inner Sydney, including a new work by Swedish artist Bo Christian Larsson that will unfold over the course of
> three months at Camperdown Cemetery. In a former gallery space in Redfern, artist collective Brown Council (Frances Barrett, Kate Blackmore, Kelly Doley and Diana Smith) present a new participatory performance about how we recall the past and imagine the future.
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> Carriageworks, the Embassy of Disappearance brings together works by artists exploring themes of absence and memory, including disappearing languages, histories, currencies and landscapes. Artists presenting work at this Embassy include Lauren Brincat, Neha Choksi, Yannick Dauby and Wan-Shuen Tsai, Minouk Lim, Yuta
> Nakamura, Jamie North, Bernardo Ortiz, Mike Parr and Apichatpong Weerasethakul.
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> The 20th Biennale of Sydney Keynote Address will be presented by leading performer, choreographer and radical innovator of dance, Boris Charmatz, on Saturday 19 March at Carriageworks. Over the past twenty years he has explored the relationship between art
> and philosophy, challenging preconceived notions of dance in the process. Charmatz has presented work in numerous contexts internationally – in theatres, festivals, and at institutions including the Museum of Modern Art, New York, and Tate Modern, London. Tickets to the Keynote Address also include entry to a one-off performance and Australian premiere of Charmatz's work manger (2014).
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> Cockatoo Island hosts the Embassy of the Real, with the former convict settlement and shipyard offering a space for artists to explore how we perceive reality in our increasingly digitised era. Artists will consider the spaces between the virtual and physical, as well as the
> physicality of the human body, with major works by Korakrit Arunanondchai, Lee Bul, Cevdet Erek, Cécile B. Evans, William Forsythe, Camille Henrot, Chiharu Shiota, Ming Wong, and Xu
> Zhen (Produced by MadeIn Company). 
>
> Artists exhibiting at the Art Gallery of New South Wales' Embassy of Spirits explore the intersection between the spiritual and the philosophical, including works concerned with personal and religious rituals. Works presented at the Embassy of Spirits by Johanna
> Calle, Sheila Hicks, Mella Jaarsma, Jumana Manna, Sudarshan Shetty, Taro Shinoda and Nyapanyapa Yunupingu can also be considered in conversation with the Gallery's rich collection of Asian and Indigenous Australian artworks.
>
> The Museum of Contemporary Art Australia is transformed into the Embassy of Translation, bringing together a selection of works that contextualise historical positions, concepts and artefacts, alongside contemporary concerns and working methods. While relying on a range of different strategies, each work considers history as one material among others, restaging and reimagining it as part of the process. Artists presenting work at the MCA include Nina Beier, Noa Eshkol, Helen Marten, and Dayanita Singh.
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> The Embassy of Non-Participation is located at Artspace in Woolloomooloo, a former artists' squat now renowned as a site for experimentation. For the 20th Biennale of Sydney, artist duo Karen Mirza and Brad Butler have taken over Artspace, considering the act of 'nonparticipation' as an active and critical position. 
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> A first time venue for the Biennale of Sydney, Mortuary Station in Chippendale has been reimagined as the Embassy of Transition. Works by two artists, Marco Chiandetti and Charwei Tsai will be shown here, and in different ways they each engage with cycles of life and death, as well as rites of passage.
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> The Embassy of Stanislaw Lem which takes form as a roving book-stall, that will reappear at various locations throughout the Biennale. Chong's work develops out of a process of accumulation; he has gathered together second-hand copies of Polish science
> fiction author Stanislaw Lem's books (in both English and Polish), which will be available for visitors to both peruse and purchase.
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> To view more detailed information on performances, activities and programs initiated by artists in the 20th Biennale of Sydney please visit 20bos.com.
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> DOWNLOAD THE FULL MEDIA RELEASE
>
> MEDIA CONTACTS: For further information and to request interviews and images relating to the 20th Biennale of Sydney, please contact:
>
> Kym Elphinstone  
> E kym@articulatepr.com.au 
> T +61 421 106 139
>
> Susanne Briggs
> E susanne@articulatepr.com.au 
> T +61 412 268 320
>
> Jasmine Hersee  
> E jasmine@articulatepr.com.au
> T +61 406 649 393
>
> International Media Enquiries
> Juan Sánchez  
> Rhiannon Pickles PR 
> E juan@picklespr.com
> T +44 788 223 7732
>
> MEDIA IMAGES: Please visit http://bit.ly/20BOS_MediaImages to access press images with captions.
>
> EVENT DETAILS: Entry to the Biennale of Sydney is free to the public from Friday 18 March until Sunday 5 June 2016.
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> ABOUT THE BIENNALE OF SYDNEY:  Since its inception in 1973, the Biennale of Sydney has provided a platform for art and ideas, showcasing the work of nearly 1,700 artists from more than 100 countries. Today it is considered one of the leading international art events, recognised for commissioning and presenting provocative, thought provoking art from Australia and around the world. In 2014, the 19 th Biennale of Sydney attracted more than 623,000 visits. With 40 per cent of visits made by people from outside of Sydney, the Biennale holds an important place on both the national and international stage.
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> Image: 
> Lee Bul
> 'Willing To Be Vulnerable', 2015–16
> heavy-duty fabric, metalised film, transparent film, polyurethane ink, fog machine, LED lighting, electronic wiring
> dimensions variable
> Courtesy the artist
> Installation view of the 20th Biennale of Sydney at Cockatoo Island
> Created for the 20th Biennale of Sydney
> Photographer: Ben Symons
>
> Email sent by Biennale of Sydney Ltd, Level 4, The Arts Exchange, 10 Hickson Road, The Rocks NSW 2000 Australia. 
> This email was sent to [email address suppressed]. You are receiving this eNewsletter because you subscribe to the Biennale of Sydney eNewsletter, or because you elected to receive emails from us through the website, email or request. 
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Thursday, January 7, 2016

'Art Speaks Out' at Istanbul Museum of Modern Art

 

'Art Speaks Out'
at Istanbul Museum of Modern Art



 
'Time is a warning. Time also as a signifier: day-night, birth-death,  age, historical or socio-cultural events.
The value of the time does not only affect the human being, but also to environment and cosmic's harmony. Outsmarting the time is an essential thing of human's spiritual and ecological responsibility
to himself and Universe. It is a critique on human's destructive behavior against the
environment and the harmony of time and space mechanism of the Universe
 
'Demi Masa', a video by Arya S.Putra

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Art Speaks Out will be screened at Istanbul Museum of Modern Art
as part of the exhibition TILL IT'S GONE on January 13 - June 5, 2016


Participants: 
Roger Ackling, Bas Jan Ader, Alper Aydın, Bingyi, Jasmin Blasco and Pico Studio, Charles A. A. Dellschau, Elmas Deniz, Mark Dion, Hamish Fulton, Francesco Garnier Valletti, Rodney Graham, ikonoTV "Art Speaks Out", Lars Jan, Mario Merz, Maro Michalakakos, Joni Mitchell, Yoko Ono*, Camila Rocha, Canan Tolon, Pae White


Curators: Çelenk Bafra and Paolo Colombo



www.artspeaksout.ikono.tv
www.istanbulmodern.org









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Thursday, August 27, 2015

from ArtNews: French Art Dealer Gailord Bovrisse Slapped with $800,000 Judgment over Fake Chagalls







PEOPLE

French Art Dealer Gailord Bovrisse Slapped with $800,000 Judgment over Fake Chagalls


@briankboucher


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French art dealer Gailord Bovrisse, right.Photo: Facebook.
French art dealer Gailord Bovrisse, right.
Photo: Facebook.
Opera Gallery and Najell Investments have won an $800,000 judgment against French art dealer Gailord Bovrisse and his New York business, Golden Trade Fine Art, over two fakeMarc Chagall paintings. The ruling, which partially granted plaintiffs' motion for summary judgment, was issued July 28 in the Central District of California, U.S. District Court and includes a determination of breach of contract against Bovrisse.
A July 27 complaint filed in California indicates that the plaintiffs are seeking $2.4 million in addition to lawyers' fees.
Opera, which has a dozen locations worldwide from New York to Hong Kong (and offers works by artists including Pierre Bonnard, Pablo Picasso, and Andy Warhol), agreed in July 2014 to pay Bovrisse $400,000 for Chagall's L'ane musicien à Saint-Paul. Cyprus-based art investment firm Najell agreed to purchase Chagall's Le Peintre au Chevalet à Saint-Paul de Vence for the same price.
The buyers wired the funds, but in September, Bovrisse informed them that the paintings were fakes. Though Opera and Najell requested their money back, “Golden Trade has since admitted that it does not intend to return the funds," according to court papers, which go on to indicate that the defendant did not respond to the plaintiffs' requests for information and that Bovrisse “failed to appear at his deposition."
Bovrisse further admitted that he didn't have sufficient evidence of the paintings' authenticity, according to court records, and that he “failed to conduct due diligence."
"Our information indicated that he was living in Beverly Hills, and that after he got our clients' money, he ran out and paid cash for a $100,000 Porsche," said Opera and Najell's counsel, Los Angeles art lawyer David P. Steiner, in a phone interview with artnet News. "We imagine he cleared out his accounts and is now overseas, plying his trade with others."
Steiner told artnet News that the case is continuing against other related defendants. Court records indicate that summons have been served to Nathalie A. Biju-Duval and the New York law firm Rubin Associates, which court papers indicate represent Bovrisse. A complaint filed in July indicates that contrary to her own statements on letterhead and LinkedIn, Biju-Duval is not a lawyer.
The last time Bovrisse popped up in the art press is 2012, when he was director of Brussels gallery Pure Fine Arts, exhibiting at that city's Fotofever art fair. He was having such a good fair, he told Art in America, that “some of my colleagues were getting jealous because of all my red dots."
At the time, he was selling photographs by Irving Penn and Jean-Daniel Lorieux, according to that report, which also indicated that the gallery had controversially rented gallery space at the Palais des Beaux Arts museum that year to show work by Lorieux.
“Collectors could buy works in the museum on the opening night," the dealer told Art in America.
An email to Pure Fine Arts, whose website is not functional, bounced back; a call to a Belgian cell phone number associated with the business was not answered. The gallery's Twitter, before going silent in 2013, tweeted links to masterpieceartcollection.net, which is also inactive.
"My clients are serious people," Steiner told artnet News, "and they will go after Bovrisse and his associates until they get every penny that is due them."
The court denied the plaintiffs' summary judgment motion with respect to their claims for negligent misrepresentation and for violation of a Section 496(a) of California's penal code.
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Wednesday, August 26, 2015

CNN: Boy trips, punches hole in $1.5 million painting

Boy trips, punches hole in $1.5 million painting

Story highlights

  • Boy, 12, slips and falls into valuable painting at Taipei art gallery, tearing a hole in the canvas
  • "Flowers" by Italian artist Paolo Porpora is worth an estimated $1.5 million
  • Experts at gallery are restoring artwork; boy and his family won't have to pay for repairs
(CNN)It's enough to cause curators to break out in cold sweats: the sight of a museum visitor tumbling right into a valuable, centuries-old painting at a busy exhibition.
A Taiwanese schoolboy, 12, did just that on a visit to a Leonardo da Vinci-themed show in Taipei, tripping up while admiring the exhibits.
When he put out his hand to steady himself, he tore a hole "the size of a fist" in a $1.5 million artwork.
"The boy was probably too concentrated in listening to what the guide was saying, and therefore stumbled," said Sun Chi-hsuan, one of the exhibition's organizers.
The incident, at Taipei's Huashan 1914 creative arts center, was captured on closed-circuit television footage from inside the gallery.
    "Flowers" by Paolo Porpora
    "Flowers," by 17th-century Italian Baroque artist Paolo Porpora, was one of 55 pieces on display in "The Face of Leonardo, Images of a Genius" exhibition.
    But Sun said the cost of repairs to the damaged painting would be covered by insurance, meaning the boy and his family won't be asked to pay up.
    "I'm actually thinking of asking the boy back to be a volunteer in the exhibition for one day," Sun said, "as a penalty."
    The painting is undergoing restoration by experts in Taipei.
    "We will begin the restoration work by ... mending the part that was torn on the back," said Leo Tsai, a fine art restorer. "We will then turn to restoring the paints on the front side."
    Curator Andrea Rossi was left dumbfounded by news of the accident, according to Sun.
    "When I told the curator, he was so shocked that for two to three minutes he couldn't utter a single word," Sun said. "But he was actually most worried that the boy and his family would put too much pressure on themselves."
    Before the show began, Sun said the curator gave its organizers special approval to allow visitors closer access to the paintings on display.
    "This is a one-off accident," Sun insisted. "I believe if viewers are placed so far away in the distance that the paintings won't be destroyed if someone stumbles, they won't be able to appreciate the paintings to the full extent."
    Since news of the accident, visitor numbers at the show have gone up, but the restricted area in front of each painting has been enlarged to prevent further mishaps.